The Helix 32 Pendant

The Helix 32 Pendant by Marc de Groot is based on a mathematical theory by Fibonacci. The precision de Groot brings to his work is evident in the way the pieces of aluminum are meticulously wrapped by hand to form the shade. We offer the Helix pendants in several sizes. Finish options include brass, aluminum, powder-coated white, and a black exterior and gold interior. The Helix 32 pendant is large enough to make a statement in monumental volumes.Request a Quote

Helix 32 Pendant
Helix 32 Pendant Tech Drawing
Product Name
Helix 32 Pendant
Manufacturer
By Marc de Groot 
Environment
Indoor
Cord
Black, White or Clear
Cord Length
6 Feet
Material
Aluminum
Light Source

E26 A-19
LED

1 x 11 Watt
cUL Certified
Yes

Download product specification sheet for a full list of available size and lamping options

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  • Helix Brass
  • Helix Black/Gold
  • Helix White
  • Helix Aluminum

Designer

Dutch designer Marc de Groot founded his eponymous firm in 1995 and moved it to a larger space in a historical building in Amsterdam in 2006. As the principal designer for the bespoke lighting manufacturer, de Groot draws inspiration from nature and history, and creates fixtures using mathematical theories and fractal patterns. “When things make sense, beauty appears,” he says. “I strive to create my own signatures based on visual mathematics.”

Many of his creations could be considered metal origami, though a certain delicacy is evoked by the term and the machining process his team employs to create these light fixtures give them much more muscle than their paper counterparts. The website Decovry says of his sense of aesthetics, “As a designer, Marc de Groot focuses on the creation of ‘smart concepts’ in designing lights, products, and spaces. With these, he approaches designs from clever new angles.”

De Groot notes that the idea of attempting to create beauty through mathematical calculations is not a new one. As far back in time as Leonardo da Vinci, artists and scientists have tried to decode the secret of harmonious composition, da Vinci’s focus his “Golden Ratio.” The fascinating union of the scientific and the creative is a headspace where de Groot is quite comfortable.

In his eyes, designs can be familiar, but they must also be liberating in some way. When he achieves this, de Groot knows he has satisfied his creative process. He is keen to discover those moments when an equal balance between functionality and quality meet, his mind made up to never sacrifice the functional aspects of a light fixture to aesthetics while concentrating on stylistic considerations as well. He says, “Natural stillness and simplicity are essential with all functional products.”